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Healthy for hardware synths, even with all the great software examples.
Companies like Kenton still produce MIDI-to-CV converters, meaning you can include analogue gear in your digital rig. Before that, CV/ Gate signals were used for communication between hardware. MIDI-to-CV Converters There are older, analogue, synths out there, that pre-date MIDI (the MIDI spec was published in 1983). A modern synth can be a soundcard, a controller, even an audio processor, if it lets you run external audio signals through its onboard effects… some of those synths have fantastic filters! Where this will go in the future, nobody can say, but it looks like things are pretty A lot of modern synths also send MIDI out from their controls, so you can use it as a hardware control surface for Live very versatile. You could use the knobs and faders on a MIDI hardware controller to reach out to your synth. Once your synth is hooked up, you can play it from another connected keyboard, or even the Live Virtual MIDI Keyboard – the computer keyboard, in other words. Versatile boxes Control issues get interesting in other ways, too. The Venom editor is particularly useful, because the control panel on the actual synth is so bare! Vyzex have produced a few of these editors for different hardware synths, including the Dave Smith Instruments Evolver, and M-Audio’s Venom synth. An interesting development with synths that connect through USB is that they usually have some kind of supporting plug-in or standalone editor that gives you access to their deeper features and preset management, directly from the computer. You can add any of Live’s audio effect devices, or third-party plug-ins, to the track, to expand on the synth’s original array of effects. This works in the usual way, but it takes longer because Live has to play through the song in real time to capture the audio 9. You can also Freeze and Flatten the MIDI track, to permanently ‘print’ those synth parts to audio files. This is a great way to organise your hardware for performance, but if you want to record the incoming audio, you’ll have to set up another audio track, and record into that one, either directly from your audio input 8, or by using the In/Out View to route audio out from your MIDI track into the ‘recording’ track.
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Another benefit of PDF manuals is that they’re searchable! The audio comes back into the same track that the MIDI is leaving, thanks to some neat routing from Ableton. And after shopping, I keep the PDF manuals on my computer and iPad, so they’re always to hand during sessions.
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Most manuals are online now, so if I’m wondering about a particular piece of hardware, I’ll grab the manual and read the MIDI info. Check your synth’s manual to find out which messages it will receive.
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VIDEO ON THE DVD Watch the tutorial movie on the DVDĪpply Live’s MIDI effects to the track once again, it’s just like working with any software instrument. Scroll Display to Follow Playback Move Clip Region with Start Marker Scroll Editor Horizontally Copy Note Change Velocity From Note EditorĪctivate/Deactivate All Devices in Group Click to Append Devices to a Selected Macintosh Show/Hide Plug-In Windows Open Second/Multiple Windows with The shortcuts for zooming, snapping/drawing and loop/region settings also work in the MIDI Editor. The shortcuts for zooming and loop/region settings also Key/MIDI Map Mode and the Computer MIDI Keyboard Macintoshĭrag/Click to Append to a Selection Click to Add AdjacentĬlick to Add Nonadjacent Clips/Tracks/Scenes to a Multi-Selection Follow (Auto-Scroll) Pan Left/Right of Selection
Without Collapsing Arm/Solo Multiple Tracks Add Device from Browserīy holding down an additional modifier key, some of theĬommands across can also be applied to: MacintoshĬan be used to move from one track or scene to another while renaming. Ungroup Tracks Show Grouped Tracks Hide Grouped Tracks Move Nonadjacent Tracks Set Selected Folder as Browser Root Load Selected Item from Browser Insert Captured Scene Move Nonadjacent Scenes Shorten/Lengthen Loop Select Material in Loopįiner Resolution for Dragging Return to Default Move Loop By Loop Length Halve/Double Loop Length Loop Brace and Start/End Markers Macintosh